Sonnet 73 Essays - Sonnet 73, Sonnet 1, Sonnet 7, Sonnet

Poem 73 Numerous poems composed by William Shakespeare manage catastrophe, love and demise, in poem seventy-three he centers around death alongside the indications of maturing. Regardless of whether he is the subject of the poem or a spectator, he communicates everything as though he were the subject. Shakespeare was at an age in his life where he could identify with the piece, which made the sonnet a lot more compelling. The subject of this work is being taken a gander at, and the onlooker goes to the end that they see pre-winter, dusk and a perishing fire; that is, the spectator understands that the individual is getting old and they will before long lose him. Shakespeare's method of mirroring the beginning of maturing and demise is communicated through numerous suggestions like topic, symbolism, and pleasantry. One of the numerous critical focuses that mirror the beginning of maturing and demise is through the topic. This poem happens in harvest time, on the grounds that in the earliest reference point a tree is being contrasted with the individual. The yellow leaves falling in pre-winter underpins paper turning yellow as time passes by, which in a roundabout way proposes that individuals get old and will area as years sneak past. Uncovered demolished ensembles, where when the sweet late winged creature sang tells the peruser that in the late spring the fowls would be on the branches singing like a congregation ensemble in an officer like position; while, in harvest time the feathered creatures don't sing on the grounds that they are gone from the exposed branches. Shakespeare considers resting to be sundown as Death's second self, on the grounds that as night approaches individuals are oblivious like being dead. Shakespeare additionally recommends that the individual is approaching an incredible finish when such fire is gleaming. The sparkling of the fire is supported by wood, and as the wood gets littler the fire colors out. Alongside topic as a critical point, symbolism is the thing that portrays the beginning of maturing and passing. Shakespeare not just let the perusers read about his piece, he lets the perusers depict an outline with his clear words. The setting is quickly introduced in the start of the poem. The tree that is delineated in the harvest time setting is contrasted with the subject of this poem. The tree is almost uncovered with the breeze blowing at the keep going leaves sticking on to the branches; just a couple of robust ones at long last remained. In spite of the fact that the portrayal of the feathered creatures singing on the branches is that of the late spring, interestingly, the branches are exposed in the fall; the image delineates the subject in his young years. Shakespeare's understanding from the statement ...seals up all in rest gives several various pictures. That citation can depict a final resting place that is fixing up the cover, or when sunset's kin rest; consequently, rest in a roundabout way infers demise. The individual and his own childhood are lying on a bed of cinders that was taken care of by the consuming of wood, which is contrasted with a deathbed. Shakespeare's symbolism on death is communicated effectively through the tree, deathbed and the casket. Shakespeare poems utilize an assortment of words to control the real which means of sentences. His inventive words recount to a story without anyone else with the utilization of analogies, from the words portraying the subjects' childhood to the cinders of his deathbed. Shakespeare expounds on yellow leaves sticking on to the trees also, winged creatures that utilization to sing on the branches in the late spring. These pictures can be deciphered as the individual whom Shakespeare is alluding to was youthful previously in any case, at the current second, he is old and practically prepared to pass on. The debris that his youth lies upon is controlled to speak to his deathbed where upon he will lie at the point when it is the ideal opportunity for him to pass on. Shakespeare looks at the adoration between the two individuals as a log consuming, as the fire is consuming the log; the log decreases importantly bringing about the fire to color out. All in all, Shakespeare's poem seventy-three has achieved the undertaking of telling the perusers that this is about death and maturing. The subject was very much spoken to make the works significance of maturing and passing the subject of this piece. Symbolism was communicated to speak to the poem effectively. The pictures Shakespeare made make the poem all the more intriguing and simpler to understand and relate. The wit was imaginatively sited to speak to something like its significance. This poem can be made into one of tShakespeare's celebrated plays however

Jems maturity Essay Example

Jems development Paper Jems development BY ollte1999 To murder a mockingbird. in To Kill a Mockingbird, Jem has essentially developed from an infantile, lively kid that he was from the earliest starting point of the novel, to a progressively quiet, created and develop figure likeness to that of his dad, Atticus. Harper Lee has joined the subject of Maturity into the novel through the improvement of Jem. Jem is demonstrated in the start of the novel to be a rambunctious kid whose idea of boldness was through the acknowledgment of dares. Scout prior on in the novel states Jem never declined a challenge in his life. This portrays Jems adolescence through he needs to do sets out to appear to be courageous to his friends moreover his absence of information about the present standings wherein America are towards racial imbalance or appeared here and all the more so all through the novel. Jem turns out to be progressively full grown as the novel advances. This is affected by his dad, Atticus Finchs, activities in the preliminary of Tom Robinson. A totally uncalled for Jury which ecides to convict Tom of assaulting a white lady, changes Jems see on life and how silly it was that dark individuals were oppressed due to the shade of their skin. Another method of indicating that he has developed is his activities towards Arthur (boo) Radley. Boo Radley is man who got into some naughtiness when he was an adolescent and his dad hence condemned him to a lifetime of detainment in his own home. Numerous bits of gossip are spread about Arthur in light of the fact that nobody has seen him for quite a long time. We will compose a custom article test on Jems development explicitly for you for just $16.38 $13.9/page Request now We will compose a custom article test on Jems development explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer We will compose a custom article test on Jems development explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer These bits of gossip depict a picture to Jem and Scout that he is a secretive and unconventional who will execute you on the off chance that you saw him. Throughout the mid year, Jem, Scout and Dill would set out one another to proceed to contact the Radley house or see who could get a brief look at Arthur. Anyway when they at long last discovered that he is a sort yet basic individual Jem makes and stride back to consider how every one of these bits of gossip about Boo aren't right and how he has been victimized Just like the dark individuals were.

The Wheels on the Bus Go Round And Round

The Wheels on the Bus Go Round And Round Lets start off with a little riddle. What is white, at least 2500 pounds, and has 28 feet? No ideas yet? Lets try another puzzle. What do you get when you cross the Flintstones with Public Transportation [] and a little art? If the hints arent helping, I guess I can give you another hint. Typically on my commute to work, I read the Boston Metro. Its not as substantive as other newspapers but its good for finding out about daily events and free movie tickets. On the right hand corner, there was a little snippet about an event at the Enormous Room, a hip restauarant Mitra introduced me to. There, theyd be talking about the new Busycle. The Busycle is a public art/community building/environment project funded by the Berwick Institute. One of the organizers of the project is an MIT alum 04. The basic idea behind the project was that they would take apart an old 14 passenger van and replace the power supplied by the motor with power supplied by humans by making it a multi-passenger bike. So far theyve done a lot of work with the project and hope to have the prototype ready in September for people to ride across the city. Eventually, theyd like to take it across the country and encourage people to think about innovative and creative ways to address some of the problems facing the environment today. What I thought was especially cool is that the project organizers really brought in the community to take part in building the Busycle. Here are just a few pictures I was able to snap at the event. Technically, the busycle is considered a bike so theyll be letting people ride it around their neighborhoods in the coming months; Im hoping therell be an MIT stop. Here at MIT, theres MIT Student Pugwash, and they often discuss how science, technology, and engineering interface with the issues surrounding the environment and society at large. Random funny conversation of the day: Friend: Where are you headed? Me: To Bob Browns going-away party. Friend: Question approaching. Who is Bob Brown? Me: You know, Bob Brown, MIT provost. Friend: Oh, I thought you meant Bobby Brown. (did you know he has a reality tv show?) Random trivia fact: Did you know that Elmer the Glue Cow is married to Elsie the Borden Milk Cow? I dont know where I learned that.

Effects of Media Violence - 1973 Words

The potential relationship between media violence and actual aggression comes to the forefront of public discussion, but unfortunately this discussion rarely takes into account the science related to the relationship between media violence and aggressive behavior. In particular, there is a widespread assumption that media violence directly causes aggression and aggressive behavior, and this assumption has become so common that even secondary scholarly discussions of the evidence have taken to relying on it despite the fact that there is no evidence for a causal relationship between the consumption of media violence and aggressive behavior. While there is evidence suggesting a link between the two, correlation does not equal causation, and examining this evidence in detail will help make the case that there is no direct cause and effect relationship between media violence and aggressive behavior while simultaneously demonstrating the fallacy inherent in the counter arguments that have been proposed. It will actually be useful to consider the counter arguments to this studys thesis before making the case that there is no causal relationship between media violence and aggressive behavior, because these counter arguments tend to represent the consensus public view despite their lack of convincing evidence. To begin, one must acknowledge that there is substantial, verifiable data indicating a link between media violence and aggressive behavior (Boxer et. al. 417). This fact isShow MoreRelatedThe Effects Of Media Violence In The Media1212 Words   |  5 Pages Introduction With the recent increase in media presence throughout the world, there has also been an increase in violence portrayed through the media. Media violence is believed to be causing aggression in today’s youth and society. This paper will examine the potential reasons on how media violence is causing aggression Review of Literature In a study conducted, media psychologists, mass communication scientists, pediatricians, and parents all completed an anonymous online survey that asked whetherRead MoreMedia Violence And Its Effects1057 Words   |  5 Pages Media violence exposure has been investigated as a risk factor for aggression behavior for years. The impact of exposure to violence in the media the long term development and short term development of aggressive behavior has been documented. Aggression is caused by several factors, of which media violence is one. Research investigating the effects of media violence in conjunction with other predictors of aggression such as; environmental factors and dysfunction within the family household,Read MoreThe Effects of Violence in the Media944 Words   |  4 PagesViolence in the media started as early when Plato was around Complaints about violence in the media being harmful appear all through history. Even Plato was worried about the effects on children. The study of violence in the media reviews the amount of correlation between the themes of violence in our media sources with real-world damage and violence over time. A lot of this research has been deprived from the social learnin g theory concluded by Albert Bandura. The media effects thoughts in modernRead MoreThe Effects Of Violence On The Media1550 Words   |  7 PagesThe effect of violence in the media is a big controversy; some say it affects are society and others say that there is not any proof of this. There are many theories on how violence in media does, and how it does not, affect our society. Many people claim watching television or even playing video games will affect children’s or young adults’ minds. Researches claim that they found no evidence of change in aggressiveness in children or young adults while playing video games. Researchers allowed childrenRead MoreThe Effects of Violence in the Media2052 Words   |  8 PagesViolence in the Media It has been a long day and you decide to sit down to relax while watching some television. You turn on the TV and begin flipping through channels. On one channel, you see some random news report on a tragic school shooting that occurred across the country. Changing to another, you might catch the last 30 minutes of a slasher, horror flick. The last channel you come across, before turning off the TV, features a popular television show where the main cast fights a new villainRead MoreThe Effects Of Violence On The Media1782 Words   |  8 PagesU61976910 Introduction It has been said that violence in the real world becomes â€Å"much more acceptable after you ve seen infinitely greater violence on the screen (Maslin 1982). Seeking to test that hypothesis, researchers have sought to find how long it takes for individuals to become desensitized to violence in television. As intimate partner violence accounts for 15% of all crime, researchers have sought to understand the causes behind the violence. Linz, Donnerstein, and Penrod operationalizedRead MoreThe Effects Of Media Violence On Behavioral Violence916 Words   |  4 PagesThe Effects of Media Violence on Behavioral Violence in Young Adults in America The influence of mass media has progressively increased in American society, but can the media have effects beyond mere entertainment and impartial information? American culture has become saturated with online news reports, social media, and media entertainment. Technology has become a major factor in America’s social environment. Much of the information gained from digital sources involves or portrays violence, andRead MoreThe Effects Of Media Violence On The Media Essay1111 Words   |  5 PagesThe media has become one of the main sources where people obtain their information from. This information can be taken in knowingly, or through subliminal messages. The media like magazines, videos, commercials, television shows, and movies. Since, media has major influence over the public; violence being portrayed in the media is causing problems. Violence against women in the media has been happening for decades. The violence has been taking shape in many forms, as in emotional a nd physical violenceRead MoreThe Negative Effects Of Media Violence In The Media754 Words   |  4 Pagesabout violence portrayed in the media, I noticed that many violent images in the media such as movies, videogames, and music have inspired people to commit large amounts of violent acts, such as committing assaults and murders. It is proven that children can he affected by the violence in media, when they are at a small age. When adults, some can be more aggressive than others, and some may commit more crimes than others. Over 1,000 case studies have proven that media violence can haveRead MoreThe Effects Of Media Violence On People1388 Words   |  6 PagesThe Effect of Media Violence on People Media violence impacts the physical aggression of human beings. It is one of the many potential factors that influence the risk for violence and aggression. Research has proven that aggression in children will cause the likelihood of aggression in their adulthood. Theories have evolved that the violence present in the media most likely teaches the viewer to be more violent. It is a risky behavior that is established from the childhood. Furthermore, media violence

10 Fascinating Facts About Spiders

Some people love them, and some hate them. Regardless of whether youre an arachnophile (a person who loves spiders) or an arachnophobe (someone who doesnt), youll find these 10 facts about spiders fascinating. Their Bodies Have Two Parts All spiders, from tarantulas to jumping spiders, share this common trait. The simple eyes, fangs, palps, and legs are all found on the anterior body region, called the cephalothorax. The spinnerets reside on the posterior region, called the abdomen. The unsegmented abdomen attaches to the cephalothorax by means of a narrow pedicel, giving the spider the appearance of having a waist. Most Are Venomous Spiders use venom to subdue their prey. The venom glands reside near the chelicerae, or fangs, and are connected to the fangs by ducts. When a spider bites its prey, muscles around the venom glands contract, pushing venom through the fangs and into the animal. Most spider venom paralyzes the prey. The spider family Uloboridae is the only known  exception to this rule. Its members do not possess venom glands. Some Even Hunt Birds Spiders hunt and capture prey. The majority feed on other insects and other invertebrates, but some of the largest spiders may prey on vertebrates such as birds. The true spiders of the order Araneae comprise the largest group of carnivorous animals on Earth. They Cant Digest Solid Foods Before a spider can eat its prey, it must turn the meal into a liquid form. The spider exudes digestive enzymes from its sucking stomach onto the victims body. Once the enzymes break down the tissues of the prey, the spider sucks up the liquefied remains, along with digestive enzymes. The meal then passes to the spiders midgut, where nutrient absorption occurs. They Produce Silk Not only can all spiders make silk, but they can do so throughout their lifecycles. Spiders use silk for many purposes: to capture prey, protect their offspring, reproduce, and assist themselves as they move, as well as for shelter. However, not all spiders use silk in the same way. Not All Spin Webs Most people associate spiders with webs, but some spiders dont construct webs at all. Wolf spiders, for example, stalk and overtake their prey, without the aid of a web. Jumping spiders, which have remarkably good eyesight and move quickly, have no need for webs, either. They simply pounce on their prey. Male Spiders Use Special Appendages to Mate Spiders reproduce sexually, but males use an unusual method to transfer their sperm to a mate. The male first prepares a silk bed or web, onto which he deposits sperm. He then draws the sperm into his pedipalps, a pair of appendages near his mouth, and stores the semen in a sperm duct. Once he finds a mate, he inserts his pedipalp into the female spiders genital opening and releases his sperm. Females Eat Males Females are typically larger than their male counterparts. A hungry female may consume any invertebrate that comes along, including her suitors. Male spiders sometimes  use courtship rituals to identify themselves as mates and not meals. Jumping spiders, for example, perform elaborate dances from a safe distance and wait for the females approval before approaching. Male orb weavers (and other web-building species) position themselves on the outer edge of the females web, and gently pluck a thread to transmit a vibration. They wait for a sign that the female is receptive before venturing closer. They Use Silk to Protect Their Eggs Female spiders deposit their eggs on a bed of silk, which they prepare just after mating. Once a female produces eggs, she covers them with more silk. Egg sacs vary greatly, depending on the type of spider. Cobweb spiders make thick, watertight egg sacs, while cellar spiders use a minimum of silk to encase their eggs. Some spiders produce silk that mimics the texture and color of the substrate on which the eggs are laid, effectively camouflaging the offspring. They Dont Move by Muscle Alone Spiders rely on a combination of muscle and hemolymph (blood) pressure to move their legs. Some joints in spider legs lack extensor muscles entirely. By contracting muscles in the cephalothorax, a spider can increase the hemolymph pressure in the legs, and effectively extend their legs at these joints. Jumping spiders jump using a sudden increase in hemolymph pressure that snaps the legs out and launches them into the air.

Bite Me A Love Story Chapter 23 Free Essays

string(200) " out and in an instant her fingers were wrapped in his beard and she was pulling his head back, not yanking, but pulling with an irresistible strength, as if he’d been hitched to a power winch\." 23. Brat in the Paper Aisle MAKEDA She stood under the eave of a post office that looked out on the Safeway parking lot, watching the old man with the dogs pounding at the door. Well, that would make seven. We will write a custom essay sample on Bite Me: A Love Story Chapter 23 or any similar topic only for you Order Now She knew she should wait for the others, but what fun was there in that. A lean black guy let the old man and his dogs into the store, then locked the door behind him. She moved to the side of the building, then along the front behind a long train of shopping carts, where she could look through the windows without being seen herself. They were spread out, each working an aisle to himself. She really should call for the others. Neither would be that far away, but she did so little on her own anymore. She examined the window. Thick Plexiglas, she wasn’t going through that. She could kick the door down, of course, but then they would run and there’d be chasing and if any got away Rolf would pout with disapproval for months. Not that she wasn’t beyond pouting herself. She once awakened to find Bella and Rolf merged together in mist without her and refused to take solid form for a year except to feed. That was how they began each night, merged in mist form, still inside their titanium chamber, experiencing every corner of each other’s consciousness, every memory, every emotion, every want, every fear-complete knowing, complete intimacy. After an hour or so, they would assume their solid forms, then leave the chamber and feed, or watch a video of a sunrise or sunset. That was it! Mist. She would go into the store by stealth. Except for the one with the dogs, they were all young men, weren’t they? She knew she could hold the rapt attention of a young man. She’d take each one, drain him without the others even knowing what happened, then share the experience with Rolf and Bella tomorrow night. It was always fun to bring something new and dangerous to their night. She wouldn’t be able to wear her special suit, or take any of the weapons, but it was just as well. She couldn’t leave bodies. Seven. She’d be as full as a tick, ready to pop. She checked that none of them was by the door, hid her weapons under the shopping carts, then lay down and oozed out of the Kevlar bodysuit, across the sidewalk, and under the door. Rock and roll was blasting out of the PA system, filling the store with a relentless chainsaw rhythm guitar that drowned all other sound. She swirled around the registers, then started to make her way across the aisles. The first two were empty, then in the third, the old man was sitting all by himself on a milk crate. Scented candles were lit up and down either side of the aisle, as if someone had laid out a landing strip. She could sense the others around her, but her perceptions weren’t as sharp in mist form and the odor and heat from the candles made it nearly impossible to tell how far away they were. Their heartbeats and breathing were lost in the music, but there was blood in the air. All over in the air. She floated up to the ceiling, where she could see over the tops of the shelf gondolas. There were two of them working on the other side of the store, bobbing in time to the music. Rolf would have wafted back out the door and called the others, and Bella would have drawn an elaborate plan to stalk them, one at a time, and pick them off when they were alone, but that was exactly why she wasn’t going to do either of those things. As she pulled herself into solid form she felt a horrible wrenching in her chest, like her heart caving in on itself. Not a physical pain, but a sudden absence. One of the others was suddenly not there. Rolf. Just not there. She stood there in front of the old man, naked, shaking, trying to bring herself back to the hunt. â€Å"Don’t scream,† she said. THE EMPEROR He didn’t like that the men were locked in the walk-in cooler, and he didn’t like that the Animals had tied him up, rubbed liver and steaks all over him, and set him on a milk box, but he had done his duty to his city. He had alerted the only people who would listen to the presence of the black ship, told them what the strange faux-Hawaiian had said about the old vampires coming for them, and he could have some peace of mind in that. They didn’t have to duct tape his hands so tightly, and tape his ankles to the milk box. They could have just asked. Ah, youth. She materialized about twelve feet in front of him, nude, nubile, and athletic, so black she might have been made of polished ironwood, yet the death-pallor made her lips appear lavender. Her hair was trimmed close to her scalp, her eyes appeared to be gold, but he couldn’t tell for sure. She shivered for a moment, as if a current was being applied to her body. He watched her muscles tensing and relaxing, rippling under her skin in waves. Then she stopped shaking and opened her eyes. â€Å"Don’t scream,† she said. Blood tears formed in the corners of her eyes. â€Å"Oh my, if you aren’t lovely,† said the Emperor. She smiled and he saw fangs there, and he suddenly felt as if he might wet himself. She moved a few steps closer to him. â€Å"Are those steaks on your shoulders?† she said. â€Å"Yes. There’s liver in my pockets as well.† She cocked her head as if listening. â€Å"Where are the others?† â€Å"I don’t know,† he said. Her hand shot out and in an instant her fingers were wrapped in his beard and she was pulling his head back, not yanking, but pulling with an irresistible strength, as if he’d been hitched to a power winch. You read "Bite Me: A Love Story Chapter 23" in category "Essay examples" â€Å"Where are they?† He could feel his vertebrae cracking, feel her raking her fangs over his neck. Then the sound of a high-pressure gas burst and she wasn’t there, and there was a length of heavy nylon line in the space where her face had been. â€Å"Down!† came Lash’s voice, as he, Troy Lee, Jeff, and Drew all rolled out of the shelves where they had been hiding behind rows of toilet paper and paper towels. The vampire woman’s head was pinned to a bale of paper towels with the stainless-steel spear from Barry’s spear gun. She screeched like a wildcat and pulled herself away and leapt at Drew, who was leveling a Super Soaker. Lash yanked the spear gun and the nylon line whipped her around. Jeff and Troy Lee opened garden sprayers on her from the front, while Drew unloaded the Super Soaker from the back. She screeched and writhed in the streams, but her flesh was coming off in great slimy chunks, as if she were wax and had been dropped into a foundry furnace. It was all over in ten seconds, and every item for twenty feet in either direction had been knocked off the shelves, the Emperor was on his back, unable to right himself, and the ancient vampire was a puddle of red goo that still bubbled as it broke down. â€Å"What do you know,† said Troy Lee. â€Å"Grandma’s tea worked.† Lash nodded and threw the spear gun to the floor with a clank. â€Å"Clint! Clean up on aisle four!† JODY Because she never liked going to the gym, Jody decided to stake out the Raven from the roof of an office building next door instead of on the Bay Club. The fact that she’d been able to leap from brick balcony to brick balcony until she was on the roof, six floors up, proved what she had always maintained, at least when she was alive: working out is narcissistic bullshit. She almost wished that the girls she’d worked with at the Transamerica Building could see her now-all of them stuffing themselves into Spandex and nylon after work and heading to the Bay Club or 24 Hour Fitness in hope of meeting someone who wasn’t a creep and, in the case of the Bay Club members, someone who was rich. She imagined them saying, â€Å"Do you want to come with us? We can get you a guest pass. Mohitos afterward?† â€Å"No thanks,† she’d say. â€Å"I’m going to go bench-press an Audi a couple of sets, grab the satchel with the three-hundred grand I stashed on a roof up the street, and go back to my loft and fuck my immortal boyfriend until dawn.† Okay, that wasn’t really what she was going to do, but she for goddamn sure was not going to the gym and getting all sweaty so she could meet guys. She didn’t even want to be on the roof of the gym, knowing that there was unprotected fitness going on below. She could see the Raven across the Embarcadero, and the Rasta kid was doing nautical stuff with different instruments. At least she thought he was doing nautical stuff. He could have just been dicking around with expensive equipment. None of the vampires was there. There were lights coming from a few of the ports below the cockpit, but she didn’t see any movement. The sense of immediacy that had driven her here had evaporated somewhat. She thought about calling Tommy, but didn’t have any idea what his new cell phone number might be. She used Abby’s phone and dialed Foo’s number, but it went to voice mail, which she didn’t see as a good sign. If the other two vampires were out of the ship, and she had to wait for them to return, she’d never get a shot at them from this far away. If they didn’t come back until dawn, she’d be caught outside at sunrise. There was a warehouse by the pier, perhaps that roof. And she’d set herself a time limit. If they didn’t show by a half-hour before sunup, she’d head back to the loft. Even at a slow, human jog she’d make it in plenty of time. She’d have to sneak down the back of the building, though. You didn’t want people to see you jumping two or three stories at a time. She understood why the vampires had to keep their secret, she really did, but not at the expense of them killing her friends. â€Å"Good view?† A woman’s voice came from behind her. Jody rolled and whipped around, pulling Foo’s UV laser from the waistband of her jeans. She didn’t have on the sun-glasses so she pointed the laser at the figure coming across the roof toward her, closed her eyes, turned away, then fired. The laser buzzed out a blue beam that lasted two seconds, then started making a high-pitched whining sound as it recharged its capacitor. â€Å"Oh, very nice,† came the voice. It was definitely a woman, amazing figure, wearing a skin-tight black suit, a black mask, and sunglasses, and carrying some sort of weapon. She looked like a superhero. Jody was on her feet, in a crouch. The laser thing was still charging, but maybe it would fire a weaker blast, give her time to move. â€Å"Nah, nah, nah.† The woman raised her weapon, and fired. A stuttering stream of pellets peppered Jody’s arm and she lost hold of the laser. Jody felt as if her arm were on fire. She looked to see ten tiny holes, each smoking, with a clear liquid, not blood running out of it. The woman whipped off her hood and sunglasses, but kept the weapon trained on Jody. She was stunning, a pale, Mediterranean beauty with waist-length hair like black silk and almost impossibly large eyes. â€Å"That light thing is sweet, but you should get one of these,† she said. â€Å"It’s basically just a pellet gun modified to fire chemical pellets, but the chemical, there’s the magic.† â€Å"It burns like hell,† Jody said. â€Å"Yes, it does. And I could cut you in half with this before you could get to me. That’s the problem with light weapons, they don’t have range and it doesn’t take much to stop them. Like this suit, for instance. I mean, this thing has a UV light on it, but that’s just to keep you from turning to mist. Can you do that, fledgling?† â€Å"That’s what Elijah called me,† Jody said. â€Å"That’s what he called all of us in our day.† Jody tried to figure out how to get to the woman. She knew she could move impossibly fast for a human, but this was another vampire, a very old vampire. She had once squared off against Elijah thinking all things were equal among vampires and he’d nearly ended her. As if she was reading Jody’s thoughts the vampire fired her weapon and Jody felt her other arm light up with pain from shoulder to elbow. â€Å"Ouch. Fuck. You bitch!† â€Å"Bella, not bitch. And what were you going to do to me, fledgling? Do you have any idea what you’ve done? We have been together hundreds of years. You ended pieces of history. You took parts of me.† She fired again and Jody’s right leg gave way. â€Å"What do you mean, pieces?† â€Å"You don’t know what it is to merge with another being then? With a lover? We were lovers, Rolf, Makeda, and me, for hundreds of years, and now they are gone.† â€Å"I don’t know what you’re talking about.† â€Å"Both are gone, I could feel it. Funny, I didn’t know I was always aware of their presence until they were gone. Not an hour ago. I’m alone now. I should let you live if only because we’ve lost two. There are fewer than a hundred of us, fledgling, and you might have been one of us.† â€Å"I didn’t know,† Jody said. â€Å"I don’t even care anymore. Maybe I’ll just kill you and lie down and wait for the sun to come up. I’ll never even know what happened.† â€Å"Trust me, that’s not as painless as you think it is,† Jody said. â€Å"Don’t!† said Bella. She raised her weapon again but this time, when the little UV light came on, Jody pushed off with her good leg, did a high backflip, and fell six stories to the courtyard below. She expected to feel bone-crushing pain, hear the crackle of vertebrae, maybe even the crunch of her skull, but instead she felt warm water envelop her. She had landed in the Bay Club’s pool, which meant she must have launched herself a good forty feet away from the roof. Her predator mind, the one that had risen to tell her that the City was hers, now kicked in, assessing survival. She was under water, that was good. The pellet weapon wouldn’t penetrate the water more than a foot before losing it’s effectiveness. Plus, the pool water was flushing out whatever heinous chemical had been burning her. She felt herself healing, even as she hovered at the bottom of the pool. She could stay there indefinitely without breathing if necessary. The bad news was that Bella was still up there, and as soon as Jody left the water, the good news would end. It was very unlikely she could take the older vampire hand-to-hand, even if she could get past the pellet weapon, but she could run. Even if she was no faster than Bella, she knew this neighborhood. She’d worked here for years, and she wasn’t three blocks from Okata’s dismal little apartment. She dug in her jacket pocket and found Abby’s phone. It was a weatherized model and the screen was still showing the time. Still four hours until sunup, and that was a guess. She had to cut it extremely close, but if she could bolt away from the Raven with just enough time to find shelter herself, but not enough time for Bella, she just might get away. And maybe in the meantime, Rivera and Cavuto would call out a S.W.A.T. team to storm the black ship. Or the Animals would blow it up, like they had Elijah’s yacht. Maybe Bella would dive into the water after her, although losing the high ground would take away a distinct advantage. Maybe one of the people in the apartments above would look down and think there was a body in the pool, and she could make her escape when the EMTs came to rescue her. That’s it. She assumed the yoga posture called â€Å"down-floating corpse† and waited, listening for any disturbance that might indicate she had company in the pool, and concentrated on her wound healing. Maybe if she healed enough she could go to mist and sneak out that way. She hadn’t moved a lot in mist form, nor had she ever changed under water and she wasn’t sure she could, but it might be worth a try. A shadow fell across the bottom of the pool, cast by the mercury lights above, and she flipped over to see Bella moving catlike at the edge of the pool. Then again, maybe not. CHET He’d watched them slaughter all of his fellow vampire cats and instead of running, as would have been his feline instinct, he tracked the killers, which was behavior born entirely of his human side. The three sides of his nature were in constant conflict. Even now, his cat side hated water, and wanted to flee, but his human side felt hate rising and wanted to attack. The vampire side told him to remain hidden, to approach in stealth, as mist, but his cat side told him to pounce, rip her throat out with claw and fang. It occurred to him, as he watched from the roof of the Bay Club as she paced around the pool in her skin-tight black suit, that water or no water, revenge or no revenge, he was going to hump the bejezus out of her before any other action took place. There was part tomcat in all of his natures. He’d started his pack by mating with any female in heat, then they turned males, and so on. And he continued his undead romp through the alleys and backyards of San Francisco, but as he grew larger, and the human part of him manifested, he was just too big to finish the deed. If he fed on them, they went to dust before he got to hump them, and if humped them, they didn’t survive for him to feed on them, and he’d humped a bunch of cats to death before he figured that out. It turned out, size did matter. But here was the perfect solution. Moving strong and sexy, just the right size-he could lock his jaws on her neck and have at it, then drink her blood or bite her head off as the whim hit him, and all the time that horrible weapon would be pointed away from him. He went to mist and oozed down the side of the building in a stream that blended with the night fog creeping in off the Bay. JODY Jody just happened to be looking up at Bella’s watery silhouette against the mercury light when she saw another shape appear behind Bella, leap on her back, and pull her away from the edge of the pool. Jody was not going to sit around checking references, whatever that thing was, it was an ally. She came out of the water like a rocket, and in two steps she leapt to the top of the twelve-foot security fence and looked back. Something had pulled Bella around and now had her face-down on the pavement and appeared to be humping the bejezus out of her. Jody knew she shouldn’t, but she paused. Big kitty ears, big kitty tail, big kitty sinking his fangs into the back of Bella’s neck. Kitty was as big as Bella, maybe a little bigger. Chet. Bad kitty, Jody thought. Bella shrieked, then launched herself backward with her arms, lifting both of them into the air, where they did a half-backflip and landed on the concrete with Chet’s back as the point of impact. He let go with his jaws and Bella spun around and let loose with the pellet weapon. Chet yowled and jerked on the ground. Bella strafed his neck, which dissolved instantly into a mass of goo. He stopped moving. Jody had seen enough. She leapt off the fence to the sidewalk and took off into the financial district, taking a right at the next corner, then a left, going as fast as her legs would carry her-to hell with someone seeing. She tried to go to mist, but couldn’t. Either the fear or her injuries were stopping her. She could hear Bella’s footsteps behind her, a block away, now less than a block. What was the range of that pellet weapon anyway? Left on Broadway, left on Battery, right on Pacific, footsteps on her ass, now left on Sansome, next left, she heard the pellet gun sputter and she felt her right leg go out from under her. She rolled and tried to come up but the gun sputtered again and her left leg was gone. She rolled over onto her back, pushed away, scooting on her butt. The gun spat and her left elbow stopped working. â€Å"Fuck, how much ammo does that thing have?† â€Å"More than I’ll need to turn you to soup,† Bella said. â€Å"Oh look, no swimming pool.† â€Å"Shame, I guess you won’t get to enjoy another kitty fuck.† The gun spat. Jody’s right arm folded behind her with a splash of pain. Bella ran her nails over her breast. â€Å"Didn’t happen. This suit will stop light, even small-caliber firearms-â€Å" But evidently not blades, Jody thought. Because she was a vampire, and things happened more slowly to her predator eyes, she saw the blade come over Bella’s shoulder, enter her body at her left trapezius, and zip across her chest and her kitty-dick-proof suit to exit just under her right arm. Bella’s head and right arm slid right, her left arm and the rest of her body fell left. She had a rather surprised expression on her face that stayed there, even as her mouth continued to work soundlessly, as if she really, desperately wanted to finish that last sentence. â€Å"Hello,† Okata said. Jody looked past the swordsman to the sign on the corner that read: JACKSON STREET. How to cite Bite Me: A Love Story Chapter 23, Essay examples

Sources of Conflict in Leadership IT Management for Organisation

Question: Write about theSources of Conflict in Leadership IT Management for Organisation. Answer: Leadership can lead you anywhere Leadership can be defined as the action which is being performed by the person who leads a group or the group of people in an organisation. The leadership forms the quality of being a leader on the individual basis i.e. a person leads and guide the employees of an organisation or on individual basis or to an entire organisation. Leadership requires set of practical skills and knowledge which will lead towards whole organisation and sometimes it becomes critical to understand the situations being faced in an organisation and because of this the conflicts arises. And to avoid the conflicts being raised in an organisation a leader make an appropriate and the sound decision and inspire the employees working in a teams or in organisation to perform well (Bolman Deal, 2017). The conflicts arises in leadership or leading to an organisation when the conflicts arose in various controversies which is yet being a most common thing in an organisation. The word conflict is the most common among the people whether if we talk about the organisation or in any other field (Certo, 2015). As long as we talked about the people there is some other conflicts being placed as the potential or regarding to meet the potential targets. In the company it is important to be mature and grown enough. Sometimes conflicts make the relationship better between two people when dealing with the conflicts being arisen. It is very essential and leaderships play a vital role in an organisation to turn the conflict into a healthy manner (Ellis Bach 2015). Research made on the conflicts being arise in an organisation on the daily basis are based on the social interaction, status and power of the employee, beliefs among the team members etc. The following aspects raise the conflicts, having the broad ideas of conflict, because these causes sometimes lack in the key components such as minimal communication and relationship aspects. There is no proper definition of the conflicts as the conflicts arisen keep on changing they are not fixed in the organisation. The conflict arises in the leadership can be emotional state, or it can be any kind of relationship, misperceptions during leadership, miscommunication among teams, etc. (Goetsch Davis, 2014). The leadership conflicts being raised in an organisation and is examined on the basis of 3 types i.e. Relationship conflicts in an organisation- The conflict arises and based on the relationship between the people, individual nature, egoistic problem etc. This conflict is generally being faced in an organisation by the managers and the leaders who try to sometimes to avoid such situations. This conflict generally known as affective or motional conflict. Leadership Task this task is also known as intellectual conflict. It generally happens when the plans main but are not implemented according to the given resources or to the given ideas. In this process the research made and the conclusion was found that this conflict arise when the opinions and the views doesnt match, team getting diverse, trust problems, etc. (Jin et al., 2014). Leadership Process- It is not much examined in an organisation. Because for this leader is there to bear the conflicts being faced in that process. The conflict generally arises when the task is made but the handling to the process is not been implemented. This conflict arises on lacking to the personal nature. Managing the conflicts been raised in an Organisation There are various pros and cons been raised during the leadership process and according to the research it generally creates a kiosk between leaders and the executives in an organisation. It is essential in every business organisations to understand the basic morals of the company, it is necessary for all the individuals working should lead to the good performance (Jones et al., 2015). Sometimes leaders learn from the conflicts as for the disagreements arise can give the very great ideas and the fresh start up so as to start working on the new policies. It is essential to realise why the conflict arise by doing the research and determining in which field the problem was arising like the unhealthy relationships being raised and it is essential to ignore this by simply building the healthy one at the early age. It is essential for the leader to spend time with the teams and the individual ones to build a strong bond and have a healthy communication by giving the best solution, educatin g the personality traits, developing the trust among the team members etc. (Kessler et al, 2013). The leader should go through an organisational factors and see where the conflicts taking place whether it is lack of sensitivity or to the gender or age factors or the an individual who is highly qualified according to the other members in a team. A Leader should follow his formal authorities so as to satisfy all the concerns of the company. Collaboration plays an important role because it is necessary to be accepted in every company to establish the positive relationship with the other party to work on the same issues so as the quick outcome would be made. Conclusion on Resolving of Conflicts Successfully In todays era every organisation should have a great leader to deal with all the conflicts and the issues been arises in the company. Therefore, conflicts generally state that, it has the source of negativity in an organisation. It has become a very important part to resolve the conflict successfully which boon the organisation to meet the targets, it generally helps to resolve the problems been arise and to prevent the variances from occurring in the future. The prominent leader should resolve the solutions to play an important role in conflicting resolution. Sometimes its not easy to resolve the conflict and because sometimes the conflicts can take place for a long term. It is essential that the executives should see to the issues arise and they should resolve and built the healthy relationship between the employees and the Leaders (Moore, 2014). References Bolman, L. G., Deal, T. E. (2017).Reframing organizations: Artistry, choice, and leadership. John Wiley Sons. Certo, S. (2015).Supervision: Concepts and skill-building. McGraw-Hill Higher Education. Ellis, P., Bach, S. (2015).Leadership, management and team working in nursing. Learning Matters. Goetsch, D. L., Davis, S. B. (2014).Quality management for organizational excellence. Upper Saddle River, NJ: pearson. Jin, Y., Liu, B. F., Austin, L. L. (2014). Examining the role of social media in effective crisis management: The effects of crisis origin, information form, and source on publics crisis responses.Communication research,41(1), 74-94. Jones, G., George, J. (2015).Contemporary management. McGraw-Hill Higher Education. Kessler, S. R., Bruursema, K., Rodopman, B., Spector, P. E. (2013). Leadership, interpersonal conflict, and counterproductive work behavior: An examination of the stressorstrain process.Negotiation and Conflict Management Research,6(3), 180-190. Moore, C. W. (2014).The mediation process: Practical strategies for resolving conflict. John Wiley Sons.